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The Glass
No 24, Spring 2012 (click to view pdf)
English Literature and the Prose of the King James Version
by Roger Pooley
Heroism and Hands: the Representation of Heroism in Beowulf and
The Battle of Maldon by Shu-han Luo
No 23, Spring 2011
Quiet Fulness: Divine Symbolism in C S Lewis by Michael Ward
Ubi Sunt and its Analogues in English Verse by Walter Nash
No 22, Spring 2010
After the Garden: Re-Imagining the Fall in Contemporary Fiction
Tolkien: Legends of the Fall
No 21, Spring 2009
A Century of Lives of Tolstoy
Walter Nash on the Christian Tradition in English Literature
No 20, Spring 2008
Proust Translating / Translating Proust by Margaret Topping
Beowulf: The Monsters and the Poet by Paul Cavill
Heresies by Walter Nash
No 19, Spring 2007
Lunar Shadows: Reflections on Literary Creation by Michael Edwards
Derrida Before the Law by Valentine Cunningham
Prophetic Voices by Christopher Rowland
No 18, Spring 2006
Christian Literary Studies by Roger Pooley and Paul Cavill
‘The Kingdom of God is between you’ – Bakhtin and the Christian Reader, by Roger Pooley
No 17, Spring 2005
Is this the Way?: the improving fictions of Bunyan, Milton and Philip Pullman, by Margaret Kean
Sublime Allegory in Blake’s Jerusalem, by Susanne Sklar
No 16, Spring 2004
Measure for Measure: Shakespeare’s Essay on Heresy, by A D Nuttall
‘I was guilty’: Interpretation as heresy in John Updike’s Roger’s Version by Andrew Tate
No 15, Spring 2003
In Contest with Satan: Reading the ur-Gospel, by Roger Kojecký
St Paul’s Gifts to Blake’s Aesthetic: ‘O Human Imagination, O Divine Body’, by Jonathan Roberts
Philip Pullman’s His Dark Materials Trilogy, by S. J. Masson
No 14, Winter 2001– Spring 2002
‘The Collapsing Canary’ – the Novelist and the Approaching End: Apocalyptic Imagination in William Golding and Flannery O’Connor, by Margaret Keeling
Shandean Mirrors: Puzzles of the Master Analogy, by Mary Douglas
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