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The Glass No 24, Spring 2012 (click to view pdf) English Literature and the Prose of the King James Version by Roger Pooley Heroism and Hands: the Representation of Heroism in Beowulf and The Battle of Maldon by Shu-han Luo
No 23, Spring 2011 Quiet Fulness: Divine Symbolism in C S Lewis by Michael Ward Ubi Sunt and its Analogues in English Verse by Walter Nash
No 22, Spring 2010 After the Garden: Re-Imagining the Fall in Contemporary Fiction Tolkien: Legends of the Fall
No 21, Spring 2009 A Century of Lives of Tolstoy Walter Nash on the Christian Tradition in English Literature
No 20, Spring 2008 Proust Translating / Translating Proust by Margaret Topping Beowulf: The Monsters and the Poet by Paul Cavill Heresies by Walter Nash
No 19, Spring 2007 Lunar Shadows: Reflections on Literary Creation by Michael Edwards Derrida Before the Law by Valentine Cunningham Prophetic Voices by Christopher Rowland
No 18, Spring 2006 Christian Literary Studies by Roger Pooley and Paul Cavill ‘The Kingdom of God is between you’ – Bakhtin and the Christian Reader, by Roger Pooley
No 17, Spring 2005 Is this the Way?: the improving fictions of Bunyan, Milton and Philip Pullman, by Margaret Kean Sublime Allegory in Blake’s Jerusalem, by Susanne Sklar
No 16, Spring 2004 Measure for Measure: Shakespeare’s Essay on Heresy, by A D Nuttall ‘I was guilty’: Interpretation as heresy in John Updike’s Roger’s Version by Andrew Tate
No 15, Spring 2003 In Contest with Satan: Reading the ur-Gospel, by Roger Kojecký St Paul’s Gifts to Blake’s Aesthetic: ‘O Human Imagination, O Divine Body’, by Jonathan Roberts Philip Pullman’s His Dark Materials Trilogy, by S. J. Masson
No 14, Winter 2001– Spring 2002 ‘The Collapsing Canary’ – the Novelist and the Approaching End: Apocalyptic Imagination in William Golding and Flannery O’Connor, by Margaret Keeling Shandean Mirrors: Puzzles of the Master Analogy, by Mary Douglas
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